Drag me there…


THE DRAG QUEENS OF SEMINYAK

By Day Five, after paying 100,000 for the new key card, I’d accepted that Bali was no longer a holiday — it was a psychological experiment designed to test my dignity. The FIFO King had become a minor celebrity. The Scooter Girls had annexed the pool area. The 60+ ladies had upgraded Ketut from “helper” to “emotional support human.” And Room 207 had developed a new smell that I could only describe as “haunted prawn.”

I needed a night out.
A real one.
Somewhere with air‑conditioning, music, and absolutely no chance of being offered a “special.”

So when Wayan, the Bali boy who brought me new things to buy every day… From woooden cooks to sarongs and boat trips, said, “Tonight I take you Seminyak. Very fun. Very beautiful. Very… show,” I said yes.

I should not have said yes.


The Journey to Seminyak

Wayan arrived on his scooter wearing a shirt unbuttoned to the navel and enough cologne to fumigate a warehouse.

“You ready, Mister Steve?”

I was not ready.

I climbed on behind him, clinging to him like a koala with abandonment issues. We weaved through traffic, past temples, bars, and a man carrying a live chicken on a scooter like it was a handbag.

By the time we reached Seminyak, my thighs were numb, my hair was wind‑sculpted into a new species, and my dignity had been left somewhere near Kuta.


The Club

The club was called “Goddess.”
Of course it was.

Inside, it was a riot of sequins, smoke machines, and men wearing more makeup than I’d worn in my entire life. The air smelled like glitter, vodka, and ambition.

Wayan guided me to a table near the stage.

“You like show,” he said confidently and ordered two Bintang crystals, on my tab. “Enjoy!” He shouted over the sound of Abba’s ‘Gimme a Man After Midnight’.

I wasn’t sure if it was a statement or a threat.


The Drag Queens Arrive

The lights dimmed.
The music thumped.
And then — they appeared.

The Drag Queens of Seminyak.

They were:

  • Taller than me
  • Shinier than me
  • More confident than the FIFO King
  • And wearing heels that defied physics

The lead queen — Madame Mirage — strutted onto the stage like she owned the island.

She spotted me immediately.

Of course she did.

She pointed.
She winked.
She mouthed, “You.”

I died.


The FIFO King Appears (WHY)

Just as I was sinking into my chair, trying to become invisible, I heard a familiar voice.

“207! You made it!”

The FIFO King burst into the club wearing a tank top that said “Bintang Is My Blood Type.”

Behind him were the Scooter Girls, who had apparently adopted him as their emotional support bogan.

He slapped me on the back. “Didn’t know you were into this stuff!”

“I’m not,” I whispered.

Madame Mirage heard me.

She turned.
She smiled.
She stalked toward me like a predator who’d spotted a wounded gazelle.

“Oh honey,” she purred, “you’re into it now.”


The Embarrassment Begins

She grabbed my hand.
She pulled me onto the stage.
The crowd cheered.
The FIFO King whooped.
The Scooter Girls filmed.
Wayan clapped proudly.
The students (who had somehow also arrived) screamed.
The 60+ ladies waved like I was in a parade.
Ketut looked confused.
Madame Eatalot cried.
Sir Drinkalot ordered another beer.
The bald man scowled.
The young companion smiled for the first time ever.

And I stood there, sweating under stage lights, wishing for death.


The Lip‑Sync of Doom

Madame Mirage handed me a feather boa.

“No,” I said.

“Yes,” she said.

She handed me a microphone.

“No,” I repeated.

“Yes,” she repeated.

The music started.

It was “I Will Survive.”

Of course it was.

She shoved me forward.
The crowd roared.
The FIFO King shouted, “Go on, 207! Shake it!”

I shook nothing.
I froze.
I lip‑synced like a man reading ransom notes.

Madame Mirage circled me, whipping the crowd into a frenzy.

At one point she grabbed my hips and moved them for me.

At another point she used me as a human prop.

At another point she whispered, “Loosen up, darling. You’re in Bali.”

I wanted to loosen up.
I wanted to be fun.
I wanted to be the kind of person who could dance on stage without dying inside.

Instead, I stood there like a traumatised lamppost.


The Emotional Collapse

When the song ended, the crowd erupted.

I did not.

I stumbled offstage, face burning, soul bruised, dignity in tatters.

Wayan hugged me. “You very good, Mister Steve!”

“I was terrible.”

“No,” he said. “You very… brave.”

This was worse.

The FIFO King slapped my back. “Mate, that was the funniest thing I’ve ever seen!”

The Scooter Girls showed me the videos.
The students asked for selfies.
The 60+ ladies said, “You were divine, darling.”
Ketut nodded solemnly.
Madame Eatalot said, “Encore!”
Sir Drinkalot said, “Holiday rules.”
The bald man sneered.
The young companion gave me a thumbs‑up.

And Madame Mirage?
She blew me a kiss.

I died again.


Bali, You Cruel, Fabulous Mistress

Bali has a way of stripping you bare — emotionally, spiritually, occasionally literally.

Some people come for beaches.
Some come for bars.
Some come for romance.
Some come for chaos.
Some come for drag queens.

And some — like me — come for stories. And Bali, as always, delivered

Leave a comment